Archive for July, 2009

Beanie Sigel feat. Gillie the Kid, Mike Knox and Black Deniro - "Express Yourself"

Monday, July 13th, 2009

11 Beanie Sige Gillie The Kid Mike Knox And Black Deniro-Express Yourself

Lloyd Banks - "For the Moment"

Monday, July 13th, 2009

21 Lloyd Banks-For The Moment

Drake - "Think Good Thoughts"

Monday, July 13th, 2009

09 Drake-Think Good Thoughts

Andre 3000 - "Looking 4 Ya"

Monday, July 13th, 2009

02 Andre 3000-Lookin 4 Ya

THE ALCHEMIST: SURVIVAL OF THE FITTEST

Monday, July 13th, 2009

alccool

It's been over five years since Hip-Hop fans heard an album from the Infamous Alchemist. After the success of his debut album 1st Infantry in 2004, fans were ready to hear more. With Chemical Warfare almost complete, the Beverly Hills bred producer was ready to give fans what they were waiting for, but after the project was shelved for over two years, it left fans wondering what happened. Now Alchemist is back with the highly anticipated release of Chemical Warfare and has sat down with HipHopWired.com to discuss what delayed his new project, Duck Down and why he is about to flip the industry with his new auto-tune project.

HipHopWired: For those who don't know, how did you go from Beverly Hills teen to one of the most sought after producers in the rap industry?

Alchemist:
I still can't figure it out [laughs], honestly it started with me playing around with scratching a few records, then I started writing rhymes and then I learned how to make beats and it was on from there. I really wish I could tell you that there was a very detailed plan and it all fell in line [but that isn't how it went], I really just went after what excited me and made my blood rush; I never planned to get paid and make money off of music, it was always just something that I really loved to do.

HipHopWired: Do you think that initially people had a tough time taking you seriously because you are from Beverly Hills?

Alchemist: I think that people did have the misconception that because I came from Beverly Hills that I didn't know how to work hard, which may be true in some cases. But at the end of the day, whether you are wealthy or from the hood; individuals are individuals and if you place them in a situation where they can do something they love, they are going to excel. I think that because I didn't come from a family that was struggling, it allowed me to be more creative and focus on the craft to get better at it, without the stress that someone else may have had growing up differently.

HipHopWired: With the sound that you create, most people can't tell that you didn't struggle like the artists you have worked with. The passion that you bring is what has helped break barriers to help people look past your childhood, but being surrounded by those artists who actually had to struggle and weren't as fortunate as you were, did you ever find it difficult to relate to what they were going through?

Alchemist: Honestly when I create beats, I don't feel that I necessarily have to “relate” to the struggle because I am not rhyming on the track. I really just sit back and imagine the beat that I create for the artist because I am inspired-so I don't feel that I need to relate to create the soundtrack for an artist. Now when it comes to getting on a track to rhyme that is different. I have a track with Snoop, Pusha T and Jadakiss on my album called “Lose Your Life,” where they are talking some real street sh*t and I just didn't feel right getting on the track talking about something that I had never been through because I didn't know how to approach it. I mean, what would I look like talking about robbing people on the corner and busting at people, it would sound corny because it is not authentic and people can see right through that.

HipHopWired: Do you feel that there is a cultural barrier in Hip-Hop that a lot of artists are failing to acknowledge? Because right now you have a lot of well established rappers who have become successful and have some money that still feel the need to talk about robbing people and grinding on the streets and their career is going nowhere.

Alchemist: I feel like that anyone who is trying to be something that they are not, will one day get revealed and when it comes to the music business, I think a lot of fans feel like it is the new WWF. I really don't think it's just about people who have money fronting like they are poor, I think it also applies to people who are not as successful as they say they are fronting like they are rich. I think in general a lot of rappers are looking at it now like it's just entertainment, but me as a person-I feel that you should always keep it one hundred because if you don't it will get revealed and your career won't be long lasting.

HipHopWired: With that being said, do you feel that one problem in the industry is that artists are stagnant in their growth as artist, because listening to music now you would think that no one has achieved success because everyone is still pretty much rhyming about being a stick up kid?

Alchemist: Yeah, but at the same time as an artist I feel that how you want to paint your picture is cool, but if people continue to see too much of the same thing it will stagnate. I think the big problem is that people are afraid, whether it is to keep it real or change it up whatever it is, that fear of not being accepted is what is making a lot of fans not like them anymore. I know that personally, as a fan of music, [I] appreciate artists more that make music because they love it and not necessarily care if I like it or not. Because then people have no choice but to respect you for trying to grow and expand your horizon and experiment with your style and not trying to cater to me or fit in.

HipHopWired: You are really close with Mobb Deep, how did that friendship develop and how do you feel about Prodigy's situation?

Alchemist: Well we are all funky fresh and all under five foot five so that was like “Hey we have something in common, big up to the little guys.” [laughs]. Honestly, it was a gradual thing. B-Real from Cypress Hill gave me my start and he had worked with [Mobb Deep] before on different projects, so he introduced us while I was going to school in New York. They were pretty much established and I was impressed by them and wanted to hang out with the “Infamous Mobb,” so I started going by the studio bringing beats and stuff. The thing about Mobb Deep is that they are a tight knit group and I loved them as artists and I just wanted to hang out. Once we got passed that we started hanging out and realized we had a lot in common. For instance Prodigy's grandmother had money and owned a successful dance school in Queens and his grandfather was a successful musician who played with Quincy Jones, so P[rodigy] came up in a way similar to the way I came up. Now, I am not going to say that he was rich and he did explain to me about the hard times after his parents split up, but he went to the hood with Havoc after they met at the School of Art and Design. So it was a lot of things that I felt we had in common and we just clicked and once I became their DJ when they went on tour with Limp Bizkit we became even tighter.

As far as P[rodigy]'s situation, we have been through some way more crazier stuff than that. I'm not from the hood and they know that and they accept me for that. They can trust me as a man, but when it comes to beef they aren't going to come to me like, “Yo pass me the hammer, Al's gonna handle this.” [laughs]. It's more on the level of me talking to them about how to avoid bad situations or them trying to avoid the situations because of me. Of course we couldn't avoid them all and some of the situations are well known, but I think that this situation is pretty much a slap on the wrist from the powers that be telling him to smarten up a little bit and make better choices because we have gotten into way nuttier stuff than his gun charge and I think it was really a lesson for us all.

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HipHopWired: Do you feel that there was anything that anyone could have said to possibly help change some of the decisions that he made?

Alchemist: P[rodigy] is a warrior; he has an amazing spirit to think positive in some of the worst situations. Like with the Jay-Z thing and even now, he always looked at it like, “This is Mobb Deep, we're the best,” even if he was wrong, it was still easy for him to have that attitude about every situation. So I think all in all there wasn't anything that anyone could have said or done, we all have lessons that we need to learn from or go through but I know that he is making the best of it and will come out on top like he always manages to do.

HipHopWired: Are there any plans on working with Havoc to release any upcoming projects?

Alchemist: Yeah, we definitely click on the beat tip and over the years have taught each other a lot. Right now more than ever I feel that it is our responsibility to hold it down and keep things together, so whatever he needs I am definitely there for him. Right now there are some things we are talking about so hopefully we will get them out there soon.

HipHopWired: Let's focus on your album, Chemical Warfare; it was originally supposed to be released two years ago, what was the hold up on the release?

Alchemist: Everything is timing in this business and I feel that the timing wasn't right for the album back then. Now I feel that everything has worked out and the industry is ready for me, it was turning Summer and the single is blowing up so in essence I did a good thing by waiting for the burning bush. As far as the album being pushed back, that is something that I have no control over, the label had plans to do other things and personally I'm not a fan of that because I had already began to tell the fans and do interviews so I started to look like the boy who cried wolf. So this time I waited until I had a solid release date before I started to promote the album, because[after what happened previously]I started to feel bad [like I had let my fans down]and that I needed to explain to the fans why there was no album. But I am looking at a physical copy of the album right now and we have the solid release date which is July 7th, so now I feel comfortable about shooting that last jump shot without fearing that someone is going to come at the last minute and move the rim.

HipHopWired: You know the big question on everyone's mind right now is are you going to use auto-tune?

Alchemist: Actually I am going to do a second version of my album similar to chopped and screwed, only it is going to be in auto-tune. What is really going to kill them is that this is the first time that the beat is going to be in auto-tune as well, so this is going to be a big moment and I want to give a shot out to Jay-Z because he actually gave his blessing on this. You know he was saying death to auto-tune but he said I could do the beat in auto-tune because this is the only thing that hasn't been done yet, so he wrote an ok for this and I have an excuse. [laughs]

HipHopWired: That would be dope! [laughs] The only thing is when someone starts a trend; everyone in the industry wants to copy it. How are you going to stop people from doing that?

Alchemist: Can we start the interview over? Since we are setting trends, I would like to do this whole interview in auto-tune. [laughs]

HipHopWired: Sure, matter of fact since you said we are starting trends; let's start a trend where everyone uses auto-tune daily. When you see a stranger, say “Hi” in auto-tune. [laughs]

Alchemist: Totally, matter of fact let's see if we can get this typed in auto-tune with special fonts, we need to look into that. [laughs]

HipHopWired: Now there is a lot of speculation that you are affiliated with Duck Down, so can you explain to the fans exactly what the deal is with you and Duck Down?

Alchemist: The deal with me and Duck Down is that Dru-Ha (the co-founder and CEO of Duck Down Records) and I look like twins. [laughs] That is the only affiliation that I have with Duck Down, now of course they are legendary and I wouldn't mind working with them, but I am not currently affiliated with Duck Down. It's funny because P[rodigy], Havoc and I would be out and people would always mistake us for Dru-Ha, Five Foot and Buckshot, so people would actually be yelling “Black Moon and Dru-Ha” and I am looking around for them too. [laughs] But I do want to say that Duck Down is really putting out some great work right now and really holding it down for the east, so shot out to Duck Down.

HipHopWired: Honestly, because of your affiliation with underground and independent artists it is a little shocking that you haven't done anything with Duck Down, is that something that you can see happening in the future?

Alchemist: Of course, Sean Price is one of my favorite artists, so I would love for me and him to do some music. I would definitely love to work with them on a project, because I love working with new and underground artists, so I would definitely if the opportunity arises.

HipHopWired: Are you still working with Eminem?

Alchemist: Yes, definitely he is big homie. We have been working a lot closer lately, he is featured on my album and that was a blessing because I don't think he is on anyone's album right now besides his own. We have been discussing a lot of things, looking at different projects that we can do to shake the game up. I know that as far as my collaborations with Eminem and Mr. Porter, we have just scratched the surface so stay tuned because we definitely have some projects in the works.

HipHopWired: Last but not least, what other projects are you working on that fans need to look out for?

Alchemist: The Bummer Album is 2 records that are coming out by a group called Gang Green which is myself and Oh No, an artist from the West coast who is the brother of Madlib. So that is coming out following Chemical Warfare and the whole album is dope, also I have another album coming out with Evidence from Dilated Peoples called Stepbrothers. On the production side I produced a track on Fabolous' album called “Lullaby” and also I worked on a track for Raekwon for his Only Built4 Cuban Linx 2 album, so there are a lot of projects coming your way. I do want to let fans know that I was just joking about the whole auto-tune thing and be sure to go get Chemical Warfare on July 7th.

alc2

dead prez: Gangstaz With A Cause

Monday, July 13th, 2009

dpz5

Spanning back to ‘96, dead prez has been a group that seemed to be outside of the norm. In a time where every rapper was advocating drug dealing, violence, etc., dead prez took the opposite route and tried to uplift Black America in touching political subjects and demanding the need for a revolution and the destruction of the corrupted structure that is the United States.

They can be placed in between the likes of Public Enemy and N.W.A. As time fast forwards to 2009, stic.man and M-1 have the same agenda in pursuit of a needed change in the system and they partner up with DJ Green Lantern to deliver the treat that is their third installment of the Turn Off The Radio"series with Pulse of the People. In this, they speak on the support of the Internet enabling them to provide information to the masses and the fact that although they are revolutionaries, at the end of the day they are as just normal Brothers striving for something.

HipHopWired: With Turn Off The Radio, as far as this third installment of the series, where have you guys grown with this?

stic.man: This is all new for us because it is all produced by DJ Green Lantern. In that regard, it's a brand new expression between our marriage of flows and his vibrations of the drums and sounds. I'm excited for that because we usually don't do a whole project with production outside of ourselves so it gave us more freedom to focus on our lyrics. We were also able to get it done in a short amount of time because I take a lot longer when I produce. I think Green had his ear to the street with his sound and I think that he's been effective with Nas, Immortal Technique, etc. It's just a chance for us to have a different vibration for people to vibe and relate to in case people are getting tired of my sound. (Laughs)

HipHopWired: What's up with the official new project?

M1: Information Age is on the way and it's definitely going to be the banger. It was really good to get a slight break and work on the Green project because the focus is, conceptually, in another direction. It's a more traditional dead prez sound with the cyber, soul-tronic force and we even work with outside producers as well. It's intended to let us think about how we use technology to get out of the matrix.

stic.man: Information Age is the title and we are touching on the age that you come into the information, or the knowledge itself. This is the new time period and what they're talking about with the 2012, the Mayan prophecies and a time when you start questioning religion, the medical industry, dieting and eating meat and everything that we were lied to about with things like Santa Clause and the Easter Bunny. It's all of that and you start to look for the truth. That is what this album is designed to inspire with the sounds, the concepts and the content of the lyrics.

dpz lantern

HipHopWired: In the new age and time, artists don't really depend on the labels in order to get their music out. How come dead prez hasn't capitalized on that medium since the radio and the labels don't seem to give you much support, but the Internet has given you that free lane to release those albums each year that people crave?

stic.man: I don't like the word capitalize. We spell the words dead prez in lower case letters and capitalism is the enemy of mankind, but in the spirit of what you're asking, we have definitely been on our grind and on our hustle to take advantage of that outlet. I have an album out called Manhood that's on iTunes and the whole dead prez catalogue is available via the Internet. We have the website deadprez.com and have a merchandise website called bossupbu.com where we have books that I've written, along with people that we're affiliated with, on things like health and politics. We have T-shirts and hood news. We have “Ammo Magazine” which is an online monthly magazine.

We're on top of the Internet and still growing and developing but we definitely recognize that the gorilla platform outside the radio and the TV that people can get directly to the source, which is what they are looking for.

HipHopWired: People seem to always want to put you guys in a box and I've been in situations around you before and ya'll are regular dudes. In particular with stic, you released a song with Noble, “My S.W.A.G. Is Up,” and it was a hot song, but it was a dance song. It's almost as if people feel like since you're part of the movement you can't still have a good time and party sometimes. How do you feel about that?

stic.man: We didn't come here to maintain the status quo and we didn't come here to reinforce the box. We came here to bust the box open. When you say things about your political situation and when you have a certain consciousness in your art, certain people will try and put you in their category and in their box. If you're a politician, you try to appease everybody and you try to make everybody say, “Oh, that's my man or the culture child for what I believe in.” We didn't come here to do that. We didn't come to be a fake gimmick or act like something that we're not. We came to give you the full expression and we definitely will give you our political views and we are sincere to it. I would be fake if I were to act like I didn't feel good about myself and I didn't want to have success, celebrate and care about how I present myself at times which is all of the regular sh*t that everyone else does. That doesn't change because you want to change the system and I believe that you are fake if you choose to act like that.

All we are doing is expressing our real self in different songs and hopefully people will realize that this is how we are instead of trying to judge and hold us to how they believe we should be. Maybe I'm not as political as you might have thought I was, but that won't stop me from fighting for the cause. We have the gangster reality that we live in and we believe in certain gangster principles. We want revolutionary change and that is why we talk and work towards those changes. We love women and family. We love grinding and working for ourselves and the idea of entrepreneurship.

Some people think that you can't be a gorilla or a revolutionary if you are trying to be a business owner because they feel like that's a contradiction, but I know that life is a contradiction. It's a contradiction when your as*s is hungry and ain't got any money and all you can do is protest to the people that print the money up. That's not my role. I'm going to be getting money along with fighting against the system of capitalism. I'm gonna keep getting money until we destroy the system and if that's a contradiction, don't take it to me, take it to the government. I'm trying to survive out here and I'm not selling crack, but I'm not a fool. That's my position on it and I did a whole album on it with Manhood. It's just the reality that we live in.

We know that capitalism was born from slavery, but does that mean when I open up a health foods store that I'm a capitalist? I live in a capitalist system, but I'm trying to make a profit off of making people healthier. Now I know that's not freedom, that's a survival program like Huey P. Newton said. It's not freedom because I have a business, but it's a means of sustaining yourself and funding your movement, your cause and family as we try to overthrow the system all together. I don't know if it will work or not, but I'm not going to be hungry trying to figure it out.

M1: Revolution in itself is a business. I learned that from the movement itself. Our economic development programs doesn't have the same agenda as the United States, but we do have an economics development program which involves massive resources through the land, people and technology that we will have to use in order to maintain and continue doing what we are talking about doing. People have a common misjudgment of what it's going to take to run this mu*haf*c%a.

When I talk to all of the OG's, what's so good about them and what I look forward to when building with the Pete O'Neals, the Mutula Shakurs, the Chairman Omalis, and the Mukasa Ricks. When I'm building with them, these are my comrades, they're my elders, these are Real G's.

They were all getting down. There wasn't an idea of a conscious dude versus a non-conscious dude. When you meet them and see how they were and kick it with them and what they are able to laugh at in life and how human they are able to be with their family with the mistakes that they have made in the past, you begin to see regular people who started to give a f*ck about what happens in the lives of our people.

These are regular dudes that weren't made out of extraordinary steel or anything like that, but they were able to do was discipline themselves whether it be politically, physically or any other way strategically to help our people. We want to be able to see the human side of it all. …. Just like Che Guevara sitting in the Sierra Madre smoking a cigar. He loved to smoke cigars, of all the things to do while in the jungle, and he's a doctor. We have to be seen as human beings and that has been my stride that I have contributed to dead prez.

HipHopWired: On your website I noticed that ya'll were talking about Obama's stimulus plan and they're giving 3.2 billion to the prison industrial complex. Can you go in a little more on that?

stic.man: I'm just urging people to do the research so that they can be familiar with what their government is doing under the administration, not just listening to the rhetoric of rappers or politicians, but just going to get the facts for your own knowledge. A lot of people seem to think that the stimulus package is somehow going to be a check that will help people, in some way, financially or stimulate the economy. You are, however, spending your money and giving it back to businesses that are not owned in our own community.

The reality is that a lot of the billions of dollars that could be used for our education, healthcare, etc. are going towards military spending and still going towards the prison industrial complex under this administration.

We can't get so happy, in the historical nature, about having a Black man in office to the fact that we forget to look at politics for the way that they are. We have to still be critical because we have Black police that take us to the Black jails and Black judges that still sentence us disproportionately to the white ones. Just because we have a Black politician in the oval office, that doesn't mean that the White House isn't still the white house.

HipHopWired: Speaking about us having a Black President, there are certain things that I have personally seen and it seems as though the police brutality has actually risen. It almost feels like they are trying to prove a point that things aren't going to change just because the President is Black. What is ya'lls take on that?

M1: I think that it is business as usual on the part of America Incorporated when it comes down to Barack Obama as President. You will definitely not see a spike an anything revolutionary, but you will see a spike in the same type of American imperialism that you already see. My theory is that if we thought that things were bad with Bush, then we will have to really hold our heads when it comes to Obama because this is how they will pull things over the average human being that they normally wouldn't do. They will lull us to sleep thinking that we have reached some type of concession with having an African President, but then they will pull some of the most Gregorian, Machiavellian tactics that they can in any other way. It is evident in the Trojan Horse of the stimulus plan that they put out which is supposed to be good for all the people, but in reality much of it has huge drawbacks when it comes to infringing on a person's rights continuously. Along with that, instead of giving us some type of economic stability, it's really just going to set us back a little bit. So the people that came from the school of though that I came from and taught me what I know as a young revolutionary, they call this sh*t here Neo-Colonialism so that's what I call it too.

DJ TRAUMA

Sunday, July 12th, 2009

trama&logo

Origin: New York

Representing: ATL (moved to The A for college at Clark Atlanta University)

TOP 10 PLAYLIST

1. "Break Up" - Mario Ft. Gucci Mane and Sean Garrett
2. "Million Bucks" - Maino
3. "Buy You A Round" - Verse Simmons
4. "Was Sup" - Rich Kids
5. "Grind Flu" - Yung Joc
6. "Back At It" - JW
7. "Who Real (Ruff Ryders Remix)" - Jadakiss, Eve, DMX
8. "Wetter" - Twista
9. "Wasted" - Gucci Mane
10. "Futuristic Love" - YUNG LA

HipHopWired: How'd you first get into DJing?

DJ Trauma: I was always interested in it but I never knew how to get into it. I had some friends in high school who were DJs so I was like, “Yo, how'd y'all start DJing? I wanna do it,” and he was like, “Just buy some equipment and you can DJ too.” I never really thought about it so I just bought some equipment and then in high school I used to run with them and open up for them. Then when I got to college, I really got into it heavy.

HipHopWired: How'd you come up with your name?

DJ Trauma: It's funny. I used to have this other DJ name which I never tell, I ain't like it. So I was just like I need to figure out a name. So I used to do these parties in college at this spot called Ethiopian Vibration and it used to get super hot and people would be drinking and they'd pass out. So the trauma truck would come pick people up and try and revive them. Give them some water, whatever they used to do to make sure they were alright and I was like yo I want that name! I was trying to think of something with a “T” because my name is Tayari and I was like Trauma, that's it BAM. I was sitting outside the club one day and I was like that's it.

HipHopWired: So let's go back. You're one of the founding members of the Super Friends…How'd you guys all hook up?

DJ Trauma: Really it started off as a loose connection; we rocked all the hot clubs in downtown Atlanta. Anytime there's a big party there's always one of us DJing so we just worked together all the time so we just started collabing on stuff. That's when Enuff had his crew so we were like yo, we need to come up with something for Atlanta. Plus a lot of times they would bring New York DJs to rock Atlanta parties and we were getting mad and they don't even rock it hard like us. So we were just like, you know what? We formed our own crew, started doing our own parties, and just made ourselves bigger. So as a unit we were bigger, we started a lot of the DJ crews that are out here in Atlanta.

HipHopWired: So you guys are still all tight now? You're cool?

DJ Trauma: Yeah.

Superfriend logo PATCH[1]

HipHopWired: So what about the Aphilliates, I know they broke away from you guys. Are y'all cool with them?

DJ Trauma: Yeah, I'm cool with them. Drama came to my birthday party, Holiday, Infamous, everybody came to my birthday party last week…

HipHopWired: Oh we heard about the birthday party! You wanna talk a little bit about your party at Luckie? What happened? Where were you when all that stuff was going down? (An “Alleged” altercation erupted between Young Jeezy and DJ Drama and their crews).

DJ Trauma: You know what, I missed the whole thing! I was upstairs with everybody, all the celebs were upstairs; Jeezy, Cris, Estelle, Jeremih and I was like yo, let's go downstairs to perform. So I went down the stairs and we were performing, you know the artists that I DJ for Verse Simmons, Estelle performed, Scrappy, Young Dro, we got off the stage and Scrappy came up to me and was like, yo they were fighting upstairs. I was like word? Alright. (Laugh) I went and got my friends and we all went for breakfast. Somebody hit me like, I heard this person and that person was fighting, so I called Drama and he was like I don't know what happened I was chilling! (Laughs) He was like, I was chilling, I'm at the crib. I was like, word, alright. So I didn't even think about it till the next day and it was on the news, my phone was ringing off the hook, and I was just like man, what's going on? People were calling me, my fam was calling me from New York like we heard at your party someone got stabbed or something and I was like word? I didn't even know about that.

HipHopWired: So you missed the whole thing?!

DJ Trauma: I missed everything.

HipHopWired: Okay then let's move on. So let's talk a little bit about what you're doing now…Are you still doing the “5 o'clock Traffic Jam” with 107.9?

DJ Trauma: Mmm hmm, yeah. I do the clubs, I do live broadcasts from Esso. I do a few mixtape series, one called Back to the Emergency Room where I highlight like all the new artists in the city that are bubbling. Actually I'm here now because I'm about to start one called Pass the Rock geared toward all high schools all over the country. That's kinda like the movement, where the music is going.

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HipHopWired: Okay so you're at Esso's on Friday…and where else?

DJ Trauma: I do Luckie every Wednesday , I do a spot called Tongue and Groove Fridays, I do Uptown on Saturdays and then like once a month I do the Velvet Room. I do Ten Pin on Thursdays…I'm always working. I started last month…and now I'm going every month to Africa.

HipHopWired: You're going to Africa?!

DJ Trauma: Yeah, to Nigeria. I was just in the studio with one of the biggest artists in Nigeria right now and I had Yung Joc and Jeezy, about to do a mixtape with them for Africa…

HipHopWired: Wow. Tell me more about Africa, what's the music scene out there like?

DJ Trauma: The Nigerian scene is kind of like how Hip-Hop was in the 80s when all of a sudden, they all for getting a scene growing. It's not really record sales driven quite yet , they don't really have a distribution system but it's kinda like how Atlanta was in the 90s. Where there's a lot of groups bubbling, had their own underground scene, tore up the shows, had albums, videos but it ain't really organized quite yet in a way. A lot of bootlegging but cats are big, the radio they play their songs and they're moving away from playing a lot of American music as much as they were. They're doing their own thing, so Nigeria's kind of like the hub, like the Atlanta or the New York, that's like the West African scene.

I went out there to DJ and I was like, yo it's crazy out here! They have their own like gear, and I just started like linking up with cats you know through mixtapes, I just do mixtapes and I send them out on my facebook and my website for people to download, just trying to make that connection. One of the artists came here and he has a song that could cross over here, it has like a down south feel to it. It has that feel that it could so I was just like yo, let's do a remix because you never know….Reggae came over here, M.I.A.'s over here, you just never know.

HipHopWired: You're right you never know. So you travel the world, you're doing your whole Africa thing, how do you think that gives you an advantage over these other DJs out here?

DJ Trauma: I just think it gives me a bigger perspective of the world in music. At the same time when they have their own scene, they're still rocking to T.I. Like when I was there over Christmas, “Live Your Life” and all his stuff was crazy out there, like his whole album was crazy out there. All that Lil Jon and all that stuff is crazy out there, Akon of course, it just gives you a bigger perspective of the world. I've been to Taiwan, I've been to the Dominican Republic, the Netherlands…

HipHopWired: That's what's up. Now a lot of people are saying that DJs are irrelevant because they're not breaking records anymore. What's your opinion on that? Do you think that holds true?

DJ Trauma: I don't really think that's true cause when you think about all the new artists that are popping right now, they were somehow filtered through a DJ or associated to a DJ. That's just somebody just hating. It might not be that all DJs are breaking records but every artist that's out right now somehow got broken by some DJ. Everybody who's big, everybody has DJs associated to them.

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HipHopWired:
Has there ever been any record you said you'd never play? Anything that made you say like, naw I'm good.

DJ Trauma: I mean there's a lot of records I say I'm not gonna play…(Laughs)

HipHopWired: (Laughs) Anything you're just like, I would never play that?

DJ Trauma: I'm one of those people where if the people are requesting it, my job is to play it. When I'm at parties my job is to rock parties, if I'm doing my mixtapes then it's my view of what I think is hot. At parties it's that but it's also entertaining the crowd. There's records that if I don't have to play, I might not play but if people really really wanna hear it and they request it, I'm going to play it. I'mma give them what they want.

HipHopWired: So what's the latest mixtape you have out right now?

DJ Trauma: My latest one is Back to The Emergency Room 1.5. I did that with J Dub, this group called Rock City, this new artist Verse Simmons and we just highlight basically new artists. What's poppin' here in Atlanta, that series is really catered to that. CTE just signed a new cat, J Dub who's blowing up out here and I actually produced some tracks for him and I'm doing one of his mixtapes.

rock city

HipHopWired: So tell me more about your production company, Black Vinyl Records…

DJ Trauma: I used to have a deal with So So Def doing production and then we've just been grinding , we had our own artist for a while, so we just been grinding. We haven't really broke through yet on anything major.

HipHopWired: So are you guys still working with the Upfront Boys? Still doing that project?

DJ Trauma: Not really. My partner's been working with one of the members cause they kinda broke up, you know how that goes…but right now I've been focusing working on Verse Simmons. I'm doing his mixtape, he's signed to Interscope. He has this new song called, “Buy You a Round”, that's starting to bubble. Yeah I roll with them, Rock City, Verse, this producer named Sham, so I've been producing with Sham a lot lately. We got some stuff on J Dub. I work 20 hours a day…(Laughs)

HipHopWired: So you've been in the game for how long now? Ten years?

DJ Trauma: Yeah I've been on the radio ten years.

HipHopWIred: Yeah, so where do you see Hip-Hop ten years from today?

DJ Trauma: I don't even know….I can't even tell you. I think there's about to be a new youth movement, I mean it's already starting. A movement of cats from high school, that's really going to come out and that's the only way Hip-Hop can have longevity because the old cats are old. I feel like it's going to be just a big explosion especially with the internet and all that type of stuff. I feel like it's already been kind of happening but now I feel like it's really about to just explode.

HipHopWired: Okay, so are you ever gonna just stop DJing? Just give it up?

DJ Trauma: Naw I'm never gonna stop DJing, I'm sure I won't be DJing 5, 6, nights a week but I'll probably just have my own spot or just have one night that I do.

HipHopWired: So you're never going to stop?

DJ Trauma: Red Alert's like 50! I just went to a party and he was killing it and I was like, oh yeah I got another 20 years! (Laughs)

HipHopWired: That's what's up. Okay, this is just a political question. So being that you work with the radio station, what do you think about the HR848 Performing Rights Bill that could possibly shut down some Black radio stations.

DJ Trauma: I'm on it from both sides, you know I work for a radio station but I'm on the artist side too. So I'm not sure. It's just like anything else, if you get an extra bill than something else gets cut or something has to be adjusted. They can't possibly charge so much that it's unreasonable so they pay for writers and producers, so it's just gonna be another component of who they gotta pay. It'll help artists who have big hits but they don't really sell a lot of records. Especially in this day and time when a lot of music is starting to become single driven. It'll help those artists out but no one wants to give away money but I feel like it'll be a good way to help those small artists who have good songs and they get good radio play but they might not necessarily have anything good enough to have a big album but they still create music that people love. So at least they get to eat a little bit off that.

HipHopWired: So do you have a Twitter page, a MySpace, anyway your fans can keep in contact with you?

DJ Trauma: Yeah, Myspace.com/DJTraumaAtlanta. My Twitter is @DJTrauma and my website is DJ Trauma.com.

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B.o.B. A/K/A Bobby Ray Readies GrandHustle Debut

Saturday, July 11th, 2009

B.o.B. aka Bobby Ray is in the lab putting the finishing touches on his debut LP B.o.B. PRESENTS THE ADVENTURES OF BOBBY RAY.

Signed to joint partnership deal with super producer Jim Jonsin's Rebel Rock Entertainment and T.I.'s Grand Hustle labels respectively with Atlantic Records, the ATL wonder kid who raps and sings is producing the majority of the album by himself. Currently featured on T.I.'s latest album Paper Trail on the track “On Top Of the World” featuring Ludacris, Bobby Ray stated:

“I just want to show (more...)

Emmett Till Casket Disturbed

Saturday, July 11th, 2009

Investigators found the original casket of lynching victim Emmett Till rusting in a shack. The shack is in the same cemetery where four people are facing felony charges for a grave digging scheme. As previously reported Carolyn Towns, Keith Nicks, Terrence Nicks, and Maurice Dailey have each been charged with one count of dismembering a human body. According to police, the suspects were digging up corpses and dumping them to make profits selling already bought gravesites. In some cases, they even double stacked some of the deceased bodies. They made $300,000 with the scheme that spanned around four years.

In the newest element of this twisted case, the legendary Emmett Till's original casket was found dilapidated in a rusty shack. When authorities went to open the casket, live animals jumped out. Till is not buried in the casket because he was reburied in a 2005 reinvestigation of his case death. The casket was supposed to have been used for a memorial to Till. As you may remember, he was killed in 1955 when he was just 14 years old for whistling at a white woman. His death had an immense impact on the Civil Rights movement and over 100,000 people came to his public viewing in Chicago.

Guru Says GangStarr Reunion Not In The Works

Saturday, July 11th, 2009

You can't run from your past or maybe you can. Guru of the legendary group GangStarr chooses not to live off his past glory but wants the respect for continuing to make quality Hip-Hop music and take rap forward. When asked by Hip-Hop Wired was there any chance of a reunion with DJ Premier or if he kept up with former GangStarr foundation cohorts like Bahamadia, he emphatically said no. Not really going into what the tension between him and his former partner and squad was, he told Hip-Hop Wired:

“I am Gang Starr, (more...)