When it comes to fashion, Yeezy is still the name drop king.
KW: It’s so hard to do fittings [for Yeezy] because we want to do things that are inspiring, that people could look at and say, “Wow, I like that color palette, I could put that together.” And there are so many images of things that it’s almost impossible to have your clothes go up against the amount you’re seeing and carry it into one language. That’s why I’m always fighting either to have a house work with us or to head a house. It’s a lifestyle I can totally see: the future, modern Versailles, modern Versace, modern Calabasas, paparazzi, celebrity language. I just want to build a collection that’s around me and my wife and my kids. Because Kris and the family, they have the power of communication. This is the number one communications company.
LB: You’re saying you’ve got the power of the idea.
KW: The idea. I know I wasn’t allowed to go to fashion school; I can’t cut a dress like Galliano, right? But I had enough wherewithal to go to that studio on my first collection and bring Kim, [stylist] Christine Centenera, Ian Connor, Theophilus London, Virgil Abloh…they all came down to [Vetements/Balenciaga designer] Demna Gvasalia’s studio that night and hung out. (And then Demna, as you probably know, he worked on Yeezy Season 1.) Anyway, I want to say a controversial thing for this article…
