Wired 25: The Top Hip-Hop Stars That Are 25 & Younger - Page 6
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Once upon a time, Hip-Hop used to put 40-year-old rappers out to pasture before they had the opportunity to get business savvy. It was a cold time that we casually shrugged off by saying, “It’s a young man’s game.”
Those days are gone, but by and large, it’s still a youth-driven culture that provides for talented people of all ages. One month deep into a new year, here is some new blood in the form of the top 25 Hip-Hop stars that are 25 & younger.
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Photo: WENN
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Joey Bada$$
He’s from the “Progressive Era” (hence the name Pro Era), but he’s clearly not afraid to drop material inspired by the year 1999. That blend of the old and the new is what keeps fans checking for Joey Bada$$.
Chance The Rapper
Deeply personal raps with enough melody and charisma to cross over had everyone checking for #10Day and Acid Rap. And with that foundation, we’re eagerly awaiting Chance’s next move.
Casey Veggies
Young Veggies won’t blow you away with bars, but he’s got a surprisingly nimble array of flows and cadences to ride the top-notch beats he chooses. Listen closely and you’ll be surprised at the moments of introspection.
Azealia Banks
There’s only room for one Azealia to bloom on this list. We’re riding with the one who can blend different genres without making tone deaf assumptions about her place in the culture. Plus Banks can really rap and does it without a faux Southern accent.
Earl Sweatshirt
Earl is equal parts Eminem and Tyler The Creator. He’s got an effortless flow that interlocks like puzzle pieces, and he’s still young enough to rhyme about all that angst-ridden stuff without making you want to sock him in the mouth a few times.
Travis Scott
Either Travis heavily inspired Yeezus (for better or worse) or he just wants to ride ‘Ye’s wave for a bit. Let’s bet on the former and dap the young dude for experimenting with the form by co-opting the Lord Infamous flow in Auto-tune over Trap production.
Vince Staples
Guys this young shouldn’t be rapping this well with easy command of social commentary, an understated flow, and just enough of that IDGAF element to make you believe he’s actually lived what he raps about.
Tyler The Creator
As a bar for bar emcee, Tyler is kind of overrated. But there’s not another rapper/producer his age who can shift from juvenile subject matter, to repping for whatever this lost generation of ‘90s babies is about, then craft some easy listening material featuring Erykah Badu and Coco from Quadron.
Mac Miller
Young EZ Mac is the opposite of an anti-drug PSA. He wasn’t nearly as bad as some critics originally said. He proved it by moving out to L.A., losing some brain cells, and making some great, experimental music.
Vic Mensa
He doesn’t sound as quirky as Chance, and he won’t scare old people the way Chief Keef does. But Vic can incorporate all of those elements in his music in his own unique way.
YG
YG had been at it for a minute, and all it took was some direction from DJ Mustard and Jeezy to unlock his potential. My Krazy Life was like a ratchet version of good kid, m.A.A.d city where we found out what happens when Pirus and Crips don’t get along.
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Logic
Logic incorporates elements from Eminem, Kendrick Lamar, and Drake into his style, and he makes no apologies. He soaks up the game like a sponge. Say what you will, but pupils who study the game that intently usually end up near the head of the class.
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Isaiah Rashad
Isaiah Rashad can tap into that post apocalyptic vibe Young Thug and Rich Homie Quan give you, but you won’t get shamed by your backpacker, purist friends for playing him. He’s also a beast when it comes to similes and metaphors over TDE’s in-house production, plus he’ll drop some thought-provoking material. That’s what we call the total package.
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Bishop Nehru
There’s a lot of talk about the future of New York’s vintage boom-bap sound and how much it is (or isn’t) in demand. All you need to know about Nehru is that he hung with MF DOOM for a whole album and showed what would happen if a touch of innovation was lent to that classic sound.
Young Thug
Yeah, his behavior is super pause-worthy sometimes. Thugger is doing some innovative things with melody, and an argument can be made that it’s not really rapping or singing. Granted, if you’re making that argument, you’re probably doing too much thinking and not enough drinking.
Tyga
Tyga is doing some quasi-shameful stuff outside of the booth. But don’t act like you weren’t (reluctantly) messing with “Rack City,” “Make It Nasty,” “Loyal,” or “Deuces.” So yeah, he’s good for annually making or appearing on at least one of those.
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Dizzy Wright
After some surprising and deeply personal rhymes, Dizzy showed he’s perfectly content to turn up if the mood strikes him. Add in a complex delivery that belies his happy go lucky demeanor, and you’ve got a potent combination that should be on display with Dizzy’s next project.
Rich Homie Quan
After their Rich Gang adventures, it’s becoming increasingly difficult to separate Quan and Young Thug. But Quan is also running in a lane of melodic, syrupy Trap singles. And that lane is winning.
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Wara from the NBHD
You probably haven’t heard of Wara, and that’s the real crime about mainstream rap’s hype machine. He’s got dark, Neptunes-inspired production and talks about the realities of street life in terms that are incredibly vivid.
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Lil Bibby
Like Guru said, “It’s mostly the voice.” Bibby has a baby face, but he sounds like the middle-aged dude down the block who fixes transmissions and mufflers for the low. There’s some scary subject matter and palpable tension in there that will hopefully be showcased over the proper production.
MGK
Chalk up all those clichéd “Wild Boy” antics to perception and some great marketing by Interscope. The MGK underneath all of that can rap about everything from being a young dad to being hooked on heroin, and he does it incredibly well.
Mick Jenkins
Mick quietly dropped one of 2014’s best and most slept-on projects with The Water[s]. It was crafted with moving production that didn’t overshadow the thoughtful subject matter. Truthfully it says some ugly things about Hip-Hop’s current ecosystem that Mick Jenkins was put in a position to give this tape away freely, because it was easily worth ten bucks a pop.
Migos
Regardless of how you emotionally feel about Migos, it’s time to stop calling them one hit wonders. They took the patented Lord Infamous flow mainstream, and should probably be giving the late Three 6 Mafia member royalties. But they’ve tapped into something, and the youthful trio doesn’t appear to be going anywhere any time soon.
Lil B
No one publicly admits to liking The Based God. But you hear traces of his style in everyone from Rick Ross and Kanye West to A$AP Rocky. He also got a lot of people on the Clams Casino wave early. What is Hip-Hop to do with an early innovator who may never make a decent, lyric powered album?
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Joey Fatts
One of the many gifts A$AP Yams gave us was providing some direction to Long Beach’s Joey Fatts. While still rough around the edges, Fatts has his own traditional production plus some Trap-inspired beats. It’s an equal mix of goon talk and positivity, which is kind of mind-boggling and dope.
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