WIRED MIXTAPE
The wait if finally over. Coke Boys rapper and Chicago native Lil Durk has returned with his Signed To The Streets 2 mixtape.
Chicago’s own King Louie feeds the street more music on his new mixtape, Tony. Clocking in at 15 tracks, the project arrives just in time to lace the July 4th weekend with a proper soundtrack.
Those who don’t stand for something tend to fall for anything. Fortunately for listeners, wordsmith Dee-1 is very earnest in his approach to emceeing and always has an uplifting story to tell on wax.
K Camp, who’s quickly built a buzz with popular singles like “Cut Her Off,” continues his push for success with a new mixtape titled SlumLords.
Promising Chicago rapper Alex Wiley stays in the chamber cooking up new tunes. Today he’s back with the Village Party mixtape for your collective listening pleasure.
Soul Mates producer Amerigo Gazaway is back with more great vibes and quality tunes via the second installment of his Yasiin Gaye — a mashup series of Yasiin Bey and Marvin Gaye — Side 2: The Return.
Even a MVP season couldn’t save Kevin Durant from the dreaded Based God Curse. Allegedly.
To some, the over saturation of Hip-Hop albums, mixtape, EPs, etc. has made finding the quality music in the cloud of filler a daunting task. However, it’s always fulfilling when some new music worth listening to comes within an earshot.
Given Yo Gotti’s recent success and the growing popularity of his artist Snootie Wild, it was time for the world to get familiar with the entire CMG clique. And to do that properly, the collective dropped of their Chapter One mixtape.
Well, this was unexpected. Stellar rap quartet Slaughterhouse surprised the Internets with a new barrage of bars on their House Rules mixtape.
With so much attention being commanded by Young Thug, the rest of the world better take heed that there’s another ATLien with a penchant for the sing-songy hooks and ratchet content.
RZA is still a force behind the boards and he proves it via a collaborative EP with Dr. Pepper called Only One Place To Get It. Clocking in at four tracks, this short body of work should be an indicator of where the Wu-Tang Clan legend has taken his production.